IN-HOUSE COMPOSITING
Rebels was founded by three veteran VFX artists with over 60 years of combined experience across film and television.
We work very differently than a traditional vfx vendor. Our team embeds into your production — collaborating directly with editors, supervisors, and directors to keep shots moving from first temp to final delivery.
From early look development and temp comps for screenings through to final VFX for DI, we stay with the work every step of the way.
Our model is built around close collaboration; small, senior teams working directly with production, without layers or distance slowing things down.
We show up ready to support production — working closely with your team, flexible when things shift, and fast when it counts. Working side by side keeps communication clear and allows decisions to be made quickly.
Adaptive
We integrate into your existing pipeline and workflow, on-site or remote, and adjust quickly as the show evolves.
Creative
We rely on experience, instinct, and a deep technical toolkit to solve shots efficiently, whether simple or complex.
FAST Turnarounds
Our teams are built for production speed, turning over consistent, high-quality work without slowing the edit.
Suzette brings efficiency, precision, and a collaborative spirit to every project, sometimes compositing and often producing. With an Emmy award and a background in film lab work, photography and on-set vfx supervision, she’s known for her attention to detail and for keeping teams running smoothly.
Suzette Barnett
Co-Founder
Nicholas is a visual effects supervisor and pipeline developer with over 20 years of experience across feature films, television, and commercial productions. His background in miniature effects, creature effects, on-set supervision, and studio pipeline engineering enables him to deliver creative solutions from production through final delivery.
Nicholas Hiegel
Co-Founder
Matthew combines an engineering mindset with years of experience in post-production and visual effects supervision. Blending technical precision with creative sensibility, he is known for finding efficient, thoughtful solutions that guide productions from creative intent to final image.
Matthew Mullarkey
Co-Founder
We Get Shots ACROSS THE FINISH LINE
Rebels specializes in high-end compositing designed for production — work that needs to be clean, efficient, and on schedule. While our core is 2D compositing, we often take on whatever the shot requires.
Clean, reliable keys and tracking that integrate set extensions and other enhancements seamlessly into your footage.
Wire and rig removals, period fixes, and detailed cleanup work that stays invisible.
Digital makeup fixes, wardrobe enhancements, and tattoo removals that maintain continuity and support performance.
Precision timing and split screens that enhance narrative flow without distraction.
Set extensions, sky replacements, atmospherics, and detail work including rain, smoke, fire, and more.
Some Of Our Projects
Our teams have contributed to a wide range of feature films and series, including Cruella, The Adam Project, Cowboy Bebop, Red One, The Naked Gun, Shazam and Black Adam — often taking on large shot counts and carrying work through to final delivery.
A COMPLETE IN-HOUSE VFX SETUP
Rebels operates as an in-house VFX unit embedded directly into your production. We bring the team, the pipeline, and the infrastructure — all designed to run efficiently inside your show.
PIPELINE
We set up a clean, working pipeline at the start and keep it running smoothly. Our team uses custom tools, automation, and streamlined workflows to manage shots, track progress, and stay closely aligned with your team.
SCALABILITY
We build teams to match the scope of your show. Starting with a Lead, then expanding with senior compositors as needed, and scaling down just as efficiently when the bulk of the work is done. We keep teams lean, experienced, and highly effective, without unnecessary layers.
SCREENING & EDITORIAL SUPPORT
We work face to face with directors and editors as the show evolves, supporting a fast, iterative feedback loop. Being embedded with your team allows us to respond immediately, refine work in real time, and stay closely aligned with creative decisions as they happen.
Temp comps are turned around quickly for cuts and screenings, helping drive decisions earlier.
DELIVERY
Final shots are delivered ready for DI, with thorough QC and careful attention to detail. We’re often asked to carry other vendors’ shots through final delivery — refining work, addressing notes, and ensuring everything lands exactly where it needs to be. The goal is simple: a smooth finish and a consistent final image across the board.
LET’S TALK
Tell us about your project — we’ll let you know how we can help.
